The two Canons trail the pack in terms of contrast, however detail is obviously better from the higher resolution 5DS R, while worse from the lower resolution EOS R, as expected.Įxcellent 30 x 40 inch prints at ISO 32-800 a nice 24 x 36 at ISO 3200 a good 11 x 14 at ISO 12,800. The Sony A7R III produced slightly lower contrast, but as mentioned previously, its more advanced sharpening leaves less obvious halos. Contrast from the Z7 appears to be the highest of the group. Here, we can see the Z7's deeper blacks and also its red push compared to the D850, but otherwise performance is very similar. High-contrast detail is also important, pushing the camera in different ways, so we like to look at it too. Nikon D850, Canon EOS R, Canon 5DS R, Fujifilm GFX 50R, Sony A7R IIIĭetail comparison. Overall, though, we'd say the A7R III still comes out ahead here again. The Z7 image is again a little softer and less detailed here at ISO 3200, but like we saw at ISO 1600, the Nikon's luma noise "grain" looks a little more random and natural, chroma noise is lower and colors are more punchy than from the Sony. Noise levels are very low from both cameras here at base ISO, but luminance noise does appear a little higher from the Z7 in flatter areas, so it'll be interesting to see how they compare at higher ISOs. The Z7's image is also more contrasty and vibrant, giving it more "pop" than the EOS R's, while colors are warmer if less technically accurate. The lack of an AA filter coupled with more aggressive processing yields a sharper, crisper image from the Z7, though ironically we can still see aliasing artifacts in the fabrics and elsewhere from both cameras. Not only is the resolution higher and thus the image larger and more detailed, but the Z7 doesn't have an anti-aliasing filter like the EOS R has (which introduces some very slight blurring in an attempt to reduce moiré and other aliasing artifacts). It's easy to see the 45-megapixel Z7 easily out-resolves the 30-megapixel EOS R, as expected. Here we compare the Z7 to the EOS R, Canon's only full-frame mirrorless camera as of this writing. And remember, you can always go to our world-renowned Comparometer to compare the Nikon Z7 to any camera we've ever tested! Nikon Z7 vs Nikon D850 at Base ISO For those interested in working with the RAW files involved: click these links to visit each camera's respective sample image thumbnail page: Nikon Z7, Nikon D850, Canon EOS R, Canon 5DS R, Fuji 50R and Sony A7R III - links to the RAW files appear beneath those for the JPEG images, wherever we have them. Clicking any crop will take you to a carrier page where you can click once again to access the full resolution image as delivered straight from the camera. All cameras in this comparison were shot with our very sharp reference lenses. NOTE: These images are from best quality JPEGs straight out of the camera, at default settings including noise reduction and using the camera's actual base ISO (not extended ISO settings). Remember, you can always use our Comparometer to compare the Z7 to any camera we've tested. To round out the comparisons, we've included the new Fuji GFX 50R medium format mirrorless, and arguably the Z7's closest competitor, the Sony A7R III. We also compare the Z7 to Canon's new full-frame mirrorless camera, the EOS R and also to the 5DS R, Canon's highest resolution DSLR. Below are 100% crops from our laboratory Still Life target comparing the Nikon Z7's JPEG image quality to its DSLR sibling's, the Nikon D850, which uses a similar sensor of the same resolution.
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